Top 1. 0 films of 2. UK chart . Any apprehension that Mike Leigh. The Lego Movie. Everything is awesome. And forever compromised. The Lego Movie is a $6. And a deconstruction of stupid Hollywood. ![]() ![]() You leave it feeling exhilarated and utterly conflicted. Thrilled by a branded film. Emmet (voiced by Chris Pratt) is an ordinary block. A construction worker in Bricksburg, he drinks chainstore coffee, watches dumb network comedy and loves the same hit song as everyone else. His life runs to a plan dictated by Lord Business (Will Ferrell), an Orwellian ruler whose desire to keep everyone thinking inside the box has extended to a secret plot to super- glue his subjects in place. The Lego Movie is absurd, but its conventional story arc and cookie- cutter leading man serve to highlight the laziness of much Hollywood product. They pissed off Fox News with their . The Master Builders learn to compromise. Co- operation wins out. ![]() Product placement is a necessary evil in big- budget film- making. The Lego Movie made $4. Its success is great news: who doesn? Its success is bad news: the market demands the product and a sequel and a spin- off are on the way. Brands have made films before, but rarely have they been made with such pride, love and attention. Who knew sponsored content could be this good? Who knows if we want it to be? Ida Watch a video review. Some films are so delicate you are afraid they will collapse in the first puff of wind, or disintegrate like a soap bubble. Pawlikowski has described Ida as a . He was talking about a luckily timed snowstorm that held up production long enough to allow a rewrite, but the film itself could be considered a kind of miracle. The second installment of the online puppet series Don't Hug Me I'm Scared is all about time, which proves to be a ripe topic for directing duo Becky Sloan and Joseph Pelling. The irreverent and sometimes disturbing children's show parody works incredibly well thanks to a great song, fantastic. Oscar Short Film Winners 2014 Andrew S Allen The votes for the 2014 Academy Awards are in and the little man has been been handed out to 3 lucky winners in the shorts categories. Curiously enough your votes proved quite accurate this year off. 2014: Anna’s Top Eleven Short Films posted by MKE Film on December 29, 2014 And then there were three! It’s the last week of our looking back at the year in film. If you’re just joining us, you can catch up on the rest of the staff’s end-of-year lists here. Sevilla from Bram Schouw on Vimeo. Bram Schouw plops us down into the passenger seat of a life-changing road trip in his short film “Sevilla.” As a viewer, you both see and feel the intricacies of the characters’ friendships — and you want to be a part of them. Action movies 2014 full movie english: new best top full action A Muslim detective teams with an American posing as a graduate student to find the man behind a series of deadly terrorist bombings in Indonesia. Director: Conor Allyn Writers: Conor Allyn. The bare- bones outline of Ida. A young novice nun on the verge of her vows is ordered by her mother superior to visit her only close relative, an aunt. The aunt tells Ida that she was, in fact, born to Jewish parents, who are now dead. The pair then set off on a journey to find out exactly what happened to them. Set in Poland in the early 6. ![]() Pawlikowski never dwells on the social or political points: the aunt is a compromised Stalinist lawyer; Poland is in the grip of cold- war communism; and Ida herself is forced into existential self- doubt. Yet these things lie lightly over the film . What is made much of, on the other hand, is Ida. The off- centre framing, in which much of the visual space is given over to blank areas of roof and sky, is more than a stylistic pose . Or God, if you want to look at it that way. However Pawlikowski arrived at Ida . Each also elevate their raw material but Ida grapples with far larger emotional and historical questions. There. Next February, it could even carry off best foreign- language Oscar. Oscars 2014: Best Animated Short Film Contenders 2 years ago 25 Years Ago: The CG Secrets of the Ballroom Sequence in LONDON, United Kingdom — This season, we saw a wide diversity of fashion films — from a gorgeously animated 'Sky Watcher' from Trussardi to the quirky charm of i-D’s 'A-Z of the World’s Top Supermodels'— evidence that the genre has matured well past its roots in moving fashion. But in an age when non- Anglophone, thematically ambitious cinema is in retreat, I suspect that it. Two Days, One Night Watch a video review. Hollywood trades in car chases and shoot- outs, worm- holes and tornadoes to distract us from the pure white- knuckle thriller that is everyday life. The cinema is our sanctuary, our palliative. It is where we go to escape the high- stakes horror of the working day or the churning drama of the domestic hearth. There is nothing quite so scary or galvanic as everyday life. In the Dardenne brothers. The management wants her out and her cash- strapped colleagues have been cynically bought off. If Sandra can persuade a majority of the workforce to forgo their . It is a socialist epic in miniature; a ticking time- bomb thriller in disguise. It is at once intimate and universal, a timely drama with a mythic structure, like a kitchen- sink version of the labours of Hercules. Some of her colleagues refuse to see her and others are just as desperate as she is, working weekend jobs and relying on the bonus to keep their heads above water. Divide- and- rule management has created a culture of fear and unionised labour is sliding into the past. But everyday life is not just more thrilling and scary than most Hollywood escapism; it tends to be rather more complicated, too. Sandra is labouring to secure the votes and keep her job. But the odds are stacked against her and the game may well be rigged. The one chance she has is to play by a different set of rules. Sandra. But with each house that she visits, the woman grows in moral stature. She encounters the best of humanity as well as the worst. She rediscovers her strength and stitches herself back into the world. And this, I suspect, is the real message of the film. Soul- stirring and humane, Two Days, One Night assures us that the journey is what matters and that the fight is always worth it. And that even if Sandra loses, she has already won. Years a Slave. In the year since Steve Mc. Queen. Grand juries have caused outcry by refusing to indict white police officers for the death of black men in different cases and attitudes to the first black President in US history appear to have hardened into a resentment and disappointment from two political wings of public and media opinion. Meanwhile, Anti Slavery International estimates a global slavery figure of 2. In my original review, I also noted the subversive line taken by the anti- corporate campaigners, the Yes Men, who gatecrash conferences to proclaim that, even without coercion, globalisation works out cheaper than slavery because you don. This is because of the way its protagonist, Solomon Northrup, played by Chiwetel Ejiofor is actually trafficked in precisely the way that vulnerable women are in the 2. He is befriended, effectively groomed, wined and dined, seduced by a sinister liaison or point man in the big city who vanishes from the prisoner. This feeling does not ennoble him: it is not experienced by him, or presented to us, in an ethical way. It is the natural result of one human being being in contact with another. The point is that Epps does not think of Patsey as human: he thinks of her with the kind of extravagant enthusiasm he might have for a prize racehorse. And he therefore cannot understand or come to terms with his emotions, with resulting tribal loyalty- crisis and the backlash of self- hate. Steve Mc. Queen single- handedly restored Solomon Northrup. It is a film of rare power. Nightcrawler. Past the oil pumps and billboards, up through the hills and out in the suburbs, you. Lou is a modern- day success story. A TV newsman racing through the night to get the gore first. Come the morning his footage is on breakfast news. Pixelated, occasionally, for decency. Lou is played with terrifying precision by Jake Gyllenhaal. Gilroy shows us a world where opportunity is scarce and guru culture is on the rise. Lou recites swaths of self- help truisms to potential employers. He calls himself head of . Provocative, but cool. Gyllenhaal is being tipped for the best actor Oscar, Gilroy should snare an original screenplay nomination at least. The performances are fantastic, the film. Nightcrawler was the most purely enjoyable film of 2. Lou spins the wheel, stamps on the accelerator. Inside Llewyn Davis. If he had wings like Noah. But the winter chill is in his bones and his frantic flapping has come to nothing. Now Llewyn is sliding south at speed, rattling from Morningside Heights to the West Village, with no money in his pockets and the Gorfein. The schoolboys are amused to see the man in disarray. They flash conspiratorial smiles aboard the downtown train. Inside Llewyn Davis is a gorgeous dying fall of a movie, perfectly crafted by the Coen brothers and spotlighting the foot- soldiers and also- rans of the burgeoning early- 6. Llewyn (Oscar Isaac) is the not- quite- Dylan who kicks hard against the genre. Llewyn is gifted and impassioned, and therefore deserving of victory. And yet, crucially, Isaac. Unsung heroes, the film suggests, are sometimes hard to warm to properly. And naturally, this only serves to compound his bristling sense of injustice and frustration. Let. His voice is strong and his songs are sound. More specifically, might he actually need to be brilliant to achieve what he desires? All around him, his low- aiming rivals are content to make a decent living with sappy, old- school harmonies and bubblegum pop ditties. Llewyn, to his credit, aspires to something richer, something deeper, something radical that will break the mould and point the way to the future. He appears destined to fall a whisker short of his goal. Once, not so long ago, Llewyn Davis had a partner, but now he. In the meantime, the opportunities keep swirling about his head like snowflakes. He snatches desperately at a pay cheque at the expense of a lucrative royalty deal, while a make- or- break trip to Chicago runs aground in the slush. Along the way, he runs across a splenetic dying jazz musician (John Goodman in thunderous form) and a kindred spirit (Adam Driver) who stashes his unsold records beneath the coffee table of his cheap apartment. Presumably there are hundreds of others out there in the woods . These people are the norm; they are the heroes we relate to. Stardom is the stuff that dreams are made of. Half- chances and near- misses are the stuff of life. Leviathan Watch a video review. Has 2. 01. 4 given us any more full- blooded a film than Leviathan? Even the best of the rest feel watery lined up beside the 7. And a lot of vodka. The story, given the whopping sources (The Book of Job, the work of Thomas Hobbes, etc) is actually quite a lean beast: Nikolay (Aleksei Serebryakov) lives with his second wife, Lilya (Elena Lyadova from Zvyagintsev. It was built by his ancestors, on a site coveted by the local mayor, Roma (Sergey Pokhodaev), who wants to slap his own grotesque palace there instead. Roma fixes the court, and the family face eviction, eased by derisory compensation. Nikolay enlists the help of an old school friend, Dmitriy (Vladimir Vdovichenkov), now a hot- shot lawyer in Moscow. So sets the stage for a battle which, if you. An early showdown with the mayor, all parties absolutely tanked, can.
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